The Gershwins Porgy and Bess at New Orleans Opera

Porgy

Alvy Powell

Bess

Lisa Daltirus

Crown

Cedric Cannon

Sportin' Life

Chauncey Packer

Robbins

Terrance Brown

Serena

Hope Briggs

Jake

Michael Redding

Clara

Dara Rahming

Maria

Gwendolyn Brown

Mingo

Eldric Bashful

Peter

Aubry Bryan

Lily

Givonna Joseph

Annie

Aria Mason

Strawberry woman

Valerie Jones Francis

Jim

Loren Battieste

Undertaker

 

Nelson

 

Crab man

 

Scipio

 

Detective

 

Policeman

 

Coroner

 

Director

Tazewell Thompson

Conductor

Robert Lyall

Chorus Master

Carol Rausch

The Gershwins®

Porgy and Bess

October 15 & 17, 2010

Mahalia Jackson Theater for the Performing Arts (map)

Bursting with some of the best melodies Gershwin ever penned – “Summertime,” “A Woman is A Sometime Thing,” “I Got Plenty O’Nuttin,” and “It Ain’t Necessarily So.” This opera depicts a world not unlike New Orleans in that the citizens of Catfish Row triumph over adversity through their faith, their sense of community and their love of life.

Download a Study Guide, Podcast, and Videos here.

 

CELEBRATE 75 years of Porgy and Bess

“[George] Gershwin created in Porgy and Bess a marriage of the forces of refined African-American singing talent with the soulful pathos of Jazz and Blues.” – Opera News

September 30, 2010 marks the 75th anniversary of the premiere of Porgy and Bess at the Colonial Theater in Boston. New Orleans Opera is celebrating this landmark in American music history with GERSHWIN MONTH.

Join the celebration!

Read more about the many performances and special events to be held during Gershwin Month here.

 

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Original Language

English

Creators

George Gershwin, DuBose and Dorothy Heyward and Ira Gershwin

Description

Opera in 3 Acts

Place

Catfish Row, Charleston, South Carolina

Premiere Date

October 10, 1935

Premiere Location

Alvin Theater, New York

Notes

Porgy and Bess stands as one of the most vital and completely successful of American Operas. One of the great might-have-beens of the 20th century music is the thought of the scores Gershwin could have gone on to write if he had lived beyond the age of 38.

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