Join New Orleans Opera artists Taylor Ott, Rachel Looney, and Frank Convit in a fun-filled extravaganza of musical theater including light opera and operetta selections as they participate in the 2020 Summer Reading Program from the St. Bernard Parish Library.
The program runs approximately 60 minutes long and can be streamed from June 26 until August 31, 2020.
This is a great opportunity for you and the children in your life to explore music from Donizetti to Sondheim and so much more!
The New Orleans Opera is grateful to the St. Bernard Parish Library for the opportunity to participate in this years Summer Reading Program!
Paid for by funding from a grant from the from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation and Tourism, in cooperation with the Louisiana State Arts Council, and as administered by the St. Tammany Commission on Cultural Affairs, St. Tammany Parish Government. Funding has also been provided by the National Endowment for the Arts, ArtWorks and from a donation from Wayne and Arlette Nunez and the Shell Matching Funds Gift Program.
Community Works is having another innovative season of summer camps; this time it is virtual and FREE! Registration is open now and will continue throughout the summer, so go check out their incredible programming!
New Orleans Opera is teaching a fabulous workshop featuring characters and music from Gioachino Rossini’s The Barber of Seville as well as Gilbert and Sullivan’s The Pirates of Penzance, along with other operas, time permitting.
Don’t miss this unique opportunity for your children, grades 4 through 8 to learn about singing, character development, the parts of the theatre, famous opera songs and arias and how to construct props and costume pieces at home!
If you are interested in signing your child up for the opera classes, choose the ‘Storytelling Works’ for your area of interest.
The opera classes include:
Exploring Figaro, Act I aria the “Largo al factotum” (in English) and we’ll learn about the plot and characters in The Barber of Seville! We’re also going to teach vocal warm-ups, along with acting, prop-making and costume activities.
Weeks two and three will continue with the songs “Poor Wand’ring One” from Pirates of Penzance and a song that we have named “Warriors of Wotan” (based on the melody from the Ride of the Valkyries) from Die Walküre.
We’ll teach fun facts about the stories and characters from these operas, and the students will have lots of imaginative activities in all three workshops!
This is New Orleans Opera’s second year participating with the Community Works Summer Camps. Classes led by Taylor Ott with Jesse Reeks accompanying.
Taylor Ott, Instructor
Taylor Ott is a graduate from the New York City Mannes Conservatory of Music and she has extensive experience in opera and musical theatre performance in London, U.K. Taylor is also a stage director, choreographer and multimedia arts producer. She has been the artistic director for several of our NOOA education projects since 2019, and she was the stage director for the Summer, 2019 Community Works, NOOA and Dillard University collaboration, entitled From Bizet to Mozart: A Journey Through Opera.
Jesse Reeks, Collaborative Pianist
Jesse Reeks is the son of two very successful musicians, and he has played the piano since he was old enough to speak! He is also an expert on the accordion and a master-level organist. Jesse is comfortable in any realm of music, from secular to sacred and from classical to jazz. He has been the collaborative pianist for the Opéra Nouvelle series for the past year and a half, and he maintains an active performance schedule, even on the “virtual” level!
The Wood Operatic Advancement Grant (the “WOAG”), a branch of the New Orleans Opera Association’s Donald W. Wood Sr. Vocal Competition (the “Wood Competition”), provides financial assistance to the winners of the Wood Competition to help them in pursuit of their career in the performance area of opera while studying in college or post-graduate studies. The WOAG was the idea of Phyllis Treigle, the Vocal Music Chair at the New Orleans Center of Creative Arts and set in motion by Debby Hirsch Wood (the Founder and Director of the Wood Competition).
The Grant is open only to winners (first, second, or honorable mention) of the Donald W. Wood Sr. Vocal Competition.
The purpose to which the grant will be applied is for expenses relating to the pursuit of the Wood Competition winners’ career in opera performance whether in college or post-graduate studies.
may include (but are not limited to) travel and related expenses for
auditions, coaching, out-of-town studies, performances,
expenses, meals, or any and all expenses related in pursuit of their
degree or career in opera performance.
The WOAG is solely for the purpose of promoting up-and-coming opera performers.
Applications will be accepted for the Fall/Winter WOAG no later than midnight, September 30.
The Fall/Winter WOAG period runs August 1 through January 31.
Applications will be accepted for the Spring/Summer WOAG no later than midnight, February 15.
The Spring/Summer period runs February 1 through July 31.
team (chosen by the Director of the WOAG) from the New Orleans Opera
Association (the “Team”) will decide recipient(s) of The Grant. The Team
will announce the recipient(s) shortly after applications are reviewed
and decisions made by the Team.
misrepresentation on the application or abuse of stipulation during
funding period is cause for disqualification without benefit of appeal.
If given this grant, you will need to submit a follow-up brief email to the Founder and Director of The Grant on how the grant empowered you to pursue your operatic vocal career. Your email will be used by the New Orleans Opera Association/Donald W. Wood Sr. Vocal Competition.
You may contact Ms. Wood at (504) 931-3608 with any questions.
The Wood Competition is in its fifth year as a significant young artist entry vehicle into the professional realm of singing. Past participants have enjoyed regional, national and international celebrity as young artist professionals. The competition is a collaborative effort between the New Orleans Opera Association, the New Orleans Center for Creative Arts, Tulane University, and Loyola University New Orleans.
All local and regional voice teachers are invited to enter their students for this contest, and the deadline for 2020 will be announced in the summer of 2020. From the pool of applicants, a selection of approximately 25 high school sophomores, juniors, and seniors will be chosen by the New Orleans Opera Association to sing in the competition. Two first-place winners (male and female) will be awarded $1,000 each; two second-place winners (male and female) will receive $500 each. Please download the informational flier and competition application to share with others.
Created by New Orleans Opera board member, Debby Hirsch Wood in honor of her late husband Donald W. Wood Sr., the Wood family has granted funding for the competition to continue in perpetuity in his name. Donald Wood Sr. loved opera and was supportive of NOOA’s educational endeavors.
The 2019-2020 student vocalists selected to compete in the Donald W. Wood Sr. Vocal Competition are as follows:
Nadia Abboud-Joffe (f); Sophomore, Lusher Charter School, New Orleans, Louisiana, Instructor: Dr. Beth Rota
Lauren Albano (f); Junior, New Orleans Center for Creative Arts, New Orleans, Louisiana, Instructor: Phyllis Treigle
Kieva Banks (f); Senior, New Orleans Center for Creative Arts, New Orleans, Louisiana, Instructor: Phyllis Treigle
Abigail Roques (f); Senior, Pensacola Christian Academy, Slidell, Louisiana; Instructor: Joy Greene Meade
Sarah Schexnayder (f); Senior, New Orleans Center for Creative Arts, New Orleans, Louisiana, Instructor: Phyllis Treigle
Sebastien Shays (m); Senior, Lusher Charter School, New Orleans, Louisiana, Instructors: Dr. Beth Rota and Dr. William Mouat
Kate Tomeny (f); Sophomore, Mount Carmel Academy, New Orleans, Louisiana, Instructor: Megan Dearie
Olivia Tuck (f); Sophomore, New Orleans Center for Creative Arts, New Orleans, Louisiana, Instructor: Phyllis Treigle
A’farrah Wallace (f); Senior, New Orleans Center for Creative Arts, New Orleans, Louisiana, Instructor: Phyllis Treigle
THANK YOU TO THE 2019-2020 WOOD COMPETITION PATRONS
Arthur A. Crais, Jr.
Peter R. Brigandi, Jr.
Nina and Larry Pugh
Susan and Vern Raburn
The National Philanthropic Trust
Drs. Theresa and Rand Voorhies
The Donald W. Wood Sr. Family
ABOUT THE WOOD COMPETITION JUDGES
LURETTA BYBEE, B.M., Baylor University, Associate Professor of Voice, Loyola University New Orleans College of Music and Media. Ms. Bybee has been privileged to serve on the faculties of the University of Michigan, Aspen Music Festival, and has served as both Chair of Opera Studies and Chair of Vocal Arts at the New England Conservatory of Music. She continues to teach voice at New England Conservatory. Ms. Bybee has served several times as judge for the Metropolitan Opera National Council auditions, along with many other vocal competitions. She has sung with numerous opera companies and orchestras in the United States and abroad. She is particularly known for her Carmen, having sung the Bizet heroine throughout the United States and Europe.
LORAINE SIMS, Associate Professor and Vocal Studies Division Chair at Louisiana State University in Baton Rouge, Louisiana, the Edith Killgore Kirkpatrick Professor of Voice, Louisiana State University, past Southern Regional Governor of the National Association of Teachers of Singing and is also a member of the National Opera Association and Music Teachers National Association. Ms. Sims has achieved critical-acclaim for her “vibrant, bell-like soprano” as well as her “warm intimacy, engaging passion and casual artistry.” She is an active recitalist whose voice has been described as “remarkably versatile, ranging from delicate lyricism to dramatic power” and her repertoire includes a broad spectrum of songs and arias from the Baroque through Contemporary periods as well as a variety of selections from the American Musical Theater tradition.
C. LEONARD RAYBON, D.M.A., Louisiana State University, M.A. University of York, Associate Professor of Music; Choir Director, Voice, The Virginia Beer Professor of Music Tulane University, School of Liberal Arts/Newcomb Department of Music. After earning a bachelor’s degree from William Carey College in music education, he won a Rotary Ambassadorial Fellowship to study in York, England, where he earned his master’s degree in music. His doctorate, from Louisiana State University, is in choral conducting with a minor in vocal performance. He has been on the faculty of Tulane for thirteen years. He has presented papers in Honolulu, Hawaii, Oklahoma City, Oklahoma, and has had an article on Bach’s “Jesu, meine Freude” published in The American Organist. In 2009 he was invited as guest conductor in Tel-Aviv, Israel. Raybon has won two Big Easy Awards for his musical direction in Pirates of Penzance and Man of La Mancha at Summer Lyric Theatre at Tulane University School of Liberal Arts. He was recently a featured soloist and chorister in Claudio Monteverdi’s Vespro della Beata Vergine at the Marigny Opera House in New Orleans.
ABOUT THE WOOD COMPETITION PRELIMINARY JUDGES
Three Preliminary Judges listened to the audio submissions and picked the students chosen to compete in today’s Wood Competition. We had many more applications but only 24 were chosen to compete. The Preliminary Judges are:
IVAN GRIFFIN – Voice Instructor, Loyola University New Orleans
Through the generous support of our sponsors, we are able to provide FREE tickets to our fully staged dress rehearsals to regional students! Please fill out this form to request Student Night Out tickets for your school group or community-based organization. We are able to provide one (1) free chaperone ticket for every five (5) students who are confirmed to attend.
The remainder of the 2019-2020 Opéra Nouvelle performances are cancelled.
We are working on the 2020-2021 Schedule and can’t wait to share all the exciting news as soon as possible!
September 6, 2019-–7:00 p.m. to 8:00 p.m. Carmen and Late 19th Century French Opera: Friday Nights at NOMA!
October 20, 2019 —3:00 p.m. Sculpture Gardens Mixed-Media Concert at NOMA.
January 16, 2020—6:00 p.m. to 8:00 p.m. Joan of Arc, Une femme pour les âges: Ogden Museum After Hours!
March 1, 2020—7:00 p.m. to 8:00 p.m. Opera Americana and Music to Lift the Spirit: Temple Sinai!
April 7, 2020—7:00 p.m. to 8:00 p.m. The Star-Blazing Queen, The Magic Flute and Hubble Telescope Images: SECOND ANNUAL Deutsches Haus Kulturabend!
April 18, 2020 — 3:00 p.m.Characters from The Magic Flute at NOMA’s Sculpture Garden
Innovative Connections in 2019-2020 include the literary
figure of Carmen, along with the historical figure of Joan of Arc that allows
our audiences to witness two women of power. Carmen – originally a creation by
Prosper Merimée – is a freedom-loving gypsy who follows her true nature even
unto death, as does the real-life Joan of Arc, who was burned at the stake for
her leadership and her convictions. The Temple Sinai concert will feature
predominant American composers of opera who were (and are) influenced by jazz
and musical theatre legends like Charlie Parker, whose life will be the
centerpiece of our early April 2020 opera, Charlie Parker’s Yardbird. Our final
offering will be a continuation of the celebration of Austrian composer Mozart
and Die Zauberflöte (The Magic Flute) with stunning visual images from the
Hubble Telescope in a spectacular feast for the senses!
Guest Speakers and Artists
Join our roster of guest speakers, musicians, and singers,
each with a unique perspective on the upcoming operas!
We offer a variety of performances for your school or
educational center and can create custom performances and programming as
September through May – bookings dependent on artists’
A CELEBRATION IN SONG
Opéra Creole Artistic Director Givonna Joseph’s engaging
program for grades PK through 12 is designed for piano and voice. A solo performer will explore a kaleidoscope
of African and African-American songs, storytelling, poetry, and spirituals.
The program also includes selections from both the Broadway stage and opera.
This program is also suitable for adult audiences.
GOALS: A Celebration in Song exposes children and adults to
the rich cultural heritage and music of New Orleans and beyond. It is typically presented as a supplement to
the black history month curriculum content for elementary and secondary
Hansel and Gretel – Grades Pre-K – 5 & Family groups
Our delightful adaptation of this classic favorite for
grades PK – 5 introduced thousands of children to opera and continues to
enchant new audiences. The fully staged and costumed reenactment of the Grimm
Brothers’ fairy tale is a perennial favorite.
GOALS: This 50 minute piece is adapted from the Engelbert
Humperdinck opera of the same title, and artists are available for a live
question and answer session immediately following the performance. The opera parallels the storyline of the
original folk story, which serves an important literacy connection for the
Little Red Riding Hood – Grades Pre-K – 6/Family groups
This fully-staged and costumed touring opera, is designed
for grades PK- 6 schoolchildren and also contains humor that parents and
teachers will appreciate. The Wolf, the Woodsman, Mother and Grandmother are
hilarious re-creations of the classic storybook characters. The title character
is wise beyond her years and has a LOT of surprises in store for the
GOALS: This 44 minute piece was composed for elementary
students and artists are available for a live question and answer session
immediately following the performance.
The “safety first” aspect of the storyline, which emphasizes that
children should not speak to strangers, is instructive and valuable –
especially for younger elementary grades – yet it does not detract from the
comedy and musical variety!
We offer a variety of educational programs for your school
or learning center and create custom curriculum as needed and programs are
available for booking from September through May.
BUILD AN OPERA
We offer students in middle and high school the opportunity
to build operas from traditional or original storylines. These are based upon
original plays that are written and performed by students or other dramatic or
popular literature. The sky is the limit! This program is most suitable for
GOALS: Build An Opera gives students the opportunity to add
musical subtext and original melodies to pre-prepared theatrical
presentations. Students acquire confidence in public speaking, as they
enhance and augment their performance capabilities.
We give students in grades 3 through 5 the opportunity to
add poetry-slam components and hip-hop moves to operatic and musical theater
works. Hip-Hopera is a process-oriented class that combines song, story and choreography;
thus sessions typically range from three to five weeks. The program includes a
performance component at the end of the workshops, and the performance will be
presented for peers, parents, teachers and administrators.
GOALS: Within a contemporary and popular artistic
medium, students gain social skills and performing confidence in music and
Students in grades 4 through 6 are given the opportunity to
prepare and perform opera and dance excerpts within specific multi-cultural
situations and contexts. Current programs include the Habanera for
marimbas and voice as well as Caribbean music in modern jazz folk songs.
GOALS: This program is based upon specialized curriculum
designs in geography, social studies and histories of non-Western cultures.
Musical and dance components with voices and indigenous instruments of the
respective cultures comprise the culminating class exercise.
Advanced High School voice and choral students, grades 9-12
sing individual (solo) selections which are coached by our guest artists and
GOALS: Students explore the stylistic nuances and
performance practices based upon pre-prepared vocal selections. This is
especially useful for students who are preparing selections for contests,
collegiate auditions, recitals, opera or musical theater roles, or summer
We offer musicology (music-history) master classes for high
school students (grades 9-12) with a five day-seminar series. Students
gain a historical perspective to further their understanding of the opera they
will attend for individual Student Night Out Performances. The cost for the five-day
seminar is $250.00.
GOALS: This program is specifically designed to create
historical, cultural and musical context for Student Night Out performances.
This allows the students who attend the performances to gain a comprehensive
understanding of geopolitical and/or sociological events that occurred during
the opera composer’s lifetime. We also explore specific musical genres and
artistic trends that occurred during the time-frame of the opera.